A night where everything shifts. On this day, I needed to dance. Too long without dance in my life. Me, who loves to dance, who think dance is life, I stopped for several years. So I looked like that, with one eye still distracted, little confident that I'll find a course for the same evening. And lo and behold...
I often hear this objection, when I talk about dance-therapy : "I don't know to dance. If they ask me to dance, I don't know what to do with my body ". The practice of dancing being linked traditionally to the performance and control of complex movements and physically intense, it is considered elitist and inaccessible. Dance therapy's mission is to shatter these preconceptions.
How to make the balance of the school year passed, reap the fruits, whose seeds were sown early, and make adequate provisions to prepare for the even darker period of the winter ? Dance-therapy, as for many other things, helps to perceive more clearly the path to follow, while sharpening his trust in his intuition.
Chacun a pu constater, face à un thérapeute ou en tentant de se confier à un proche, les limites du langage pour exprimer un ressenti, une blessure ou un traumatisme. Le geste dansé, alors, s’avère d’une aide précieuse pour remplacer le langage parlé. Un langage intuitif non verbal Le geste dansé offre tout d’abord à l’élève et au professeur un langage commun non verbal et non mentalisé. La mise en mots du monde, des expériences vécues et du ressenti est évidemment essentielle dans la mesure où elle permet de mieux cerner intellectuellement un vécu, de le contenir et de se l’approprier,...
Depuis des siècles dans les arts, les femmes se voyaient attribuer le rôle de muse et épouse fidèle de l’artiste. Elles existaient « près » de l’art, tandis que la création de chefs-d’œuvre était une prérogative masculine. Les noms de la célèbre patronne du marquis de Pantoue (Isabella d’Este) et des muses de Botticelli (Simonetta Vespucci) sont inscrits dans l’histoire de l’art de la Renaissance. Mais combien d’entre nous se souviendront de la première peintre de la Renaissance, Sofonisbu Angistola ? Pourquoi la culture artistique mondiale a-t-elle conservé si peu de références des artistes femmes ? Est-ce un accident historique,...
Everything is in us and we are constantly projecting on the other our state. This can be emotions, a vibration, a fear... let's See how to take back control in our relationships with others, and in our life. The main work is to understand how we function in and out of our automation, or even distance themselves from our way of feeling things.
Maybe you have already read phrases like "I leave my light, I am light..." ; and maybe you are-you said : "the light of course, but I also parts of shadow. Am I a horrible person ? "
It is important to me, as a dance therapist, to give women the tools of re-appropriation of their bodies : dance the Witch is a wonderful tool to do this, that perfectly the virtues of the dance that I cherish deeply, and I have reconnected to my own power.
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